Toward that end, something like the 1969 Stonewall riots receive relatively short shrift, while focusing on public demonstrations of defiance and anger that preceded and followed them. Similarly, if you’ve come for a walk down memory lane about the significance of “Will & Grace” or Ellen DeGeneres coming out in the 1990s, this isn’t the docuseries for you.
“Pride” begins in that post-war period, chronicling the turn into homophobia during the McCarthy era, and how the world was in some ways less prejudiced toward gays and lesbians prior to that decade than after it.
As interview subjects note, entrapment was common in policing, and the prospect of being outed wielded as a weapon. Perhaps the starkest illustration of the dirty political tactics employed focuses on Wyoming senator Lester Hunt, who was blackmailed over his son’s “activities,” before dying by suicide.
Similarly, there’s a detailed section devoted to Bayard Rustin, an architect of the civil-rights movement and planner of the March on Washington, whose public role was diminished because being gay was seen as a liability.
The first hour heavily employs dramatic reenactments, one way the tone and style varies from chapter to chapter. The most consistent through line is the culture’s influence on LGBTQ rights and acceptance, from Anita Bryant’s anti-gay campaign — and the activism that yielded in response — to movies with gay characters that raced ahead of where US laws were in the 1990s.
“Culture changes minds. Culture changes perceptions,” observes film historian B. Ruby Rich, while media studies professor Julia Himberg describes an “explosion in queer visibility” during those years, with series like “Six Feet Under,” “Queer Eye for the Straight Guy” and more tentative advances by broadcasters in primetime.
Later chapters deal with AIDS in the ’80s and culture wars of the ’90s, from Pat Buchanan’s us-versus-them 1992 Republican National Convention speech to the Clinton administration’s “Don’t ask, don’t tell” military policy.
Transgender rights take center stage during the single hour devoted to the 21st century, with the emphasis on bathroom laws in earlier decades illustrating how such lines of attack have resurfaced as a political tactic across the decades.
“Pride” condenses decades of history as best it can, recognizing the progress made and the battles that remain.
“I don’t like the idea of tolerance,” longtime Village Voice columnist Michael Musto says in a later chapter. “Don’t just tolerate me.”
“Pride” might feel a little scattered at times in its format, but that singular message comes through loud and clear.
“Pride” premieres May 14 at 8 p.m. ET on FX, with episodes available the next day on Hulu.